Happiness is to be found when in pursuit of it, in the soothed expectation, on the way, not only upon the arrival. Accepting detours, just going the way, which is anyhow not this obvious to anyone.
Thomas Bettinelli

Happiness is just a hairflip away.
Chris Crocker


"The way the system works now, you see the clothes, within an hour or so they're online, the world sees them. They don't get to a store for six months. The next week, young celebrity girls are wearing them on red carpets. They're in every magazine. The customer is bored with those clothes by the time they get to the store. They're overexposed, you're tired of them, they've lost their freshness".
Tom Ford


E. Tautz

When Patrick Grant went to a friend’s 1985-themed 30th birthday party recently, the birthday girl and her contemporaries were dressed as Madonna, Michael Jackson, and other icons of a year they were too young to remember. Mr Grant, though, hails from an earlier vintage -he lived it- and was inspired to dig out some of his oldest clothes : "I couldn’t believe how comfortable and free they were to wear", he said. Which is why this E Tautz collection presented his imagined Eighties as filtered via his label’s valiant mission to bring a Savile Row sensibility to seasonal fashion. There were plenty of recognizable tics from the time. Soft-shouldered, double-breasted wool trenchcoats in navy and gray featured tricep-tickling elongated epaulets. Black suit and black pocket shirt ensembles worn with clashing ties demanded reference to Gary Numan. A pullover top in a wool and nylon mix came with an off-kilter diagonal zipper at the neckline that Patrick Grant said was drawn from that reviled-in-retrospect garment, the shell suit (British English for the nylon paneled tracksuits of the '80s and '90s). There was a great deal of authentic, carefully observed billow above these high-waisted single-pleat pants. It was nearly all perfectly lovely, which was perhaps the problem. Sylvester’s mighty 1984 release "Rock the box" was featured on the soundtrack. Check it on YouTube for confirmation of just how queasy contemporary tastes really were. Patrick Grant is too much of an aesthete to go ugly -and these were fine clothes, indeed- but a flash or two of less filtered source material would have upped the impact of this collection.

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