Happiness is to be found when in pursuit of it, in the soothed expectation, on the way, not only upon the arrival. Accepting detours, just going the way, which is anyhow not this obvious to anyone.
Thomas Bettinelli

Happiness is just a hairflip away.
Chris Crocker


"The way the system works now, you see the clothes, within an hour or so they're online, the world sees them. They don't get to a store for six months. The next week, young celebrity girls are wearing them on red carpets. They're in every magazine. The customer is bored with those clothes by the time they get to the store. They're overexposed, you're tired of them, they've lost their freshness".
Tom Ford



It hardly counts as wanton wardrobe promiscuity, but Jay Vosoghi has detected a loosening of the ties that once kept the Boglioli man wedded to a go-to silhouette. "We definitely have more flexibility to play with, more agility. I think now people will dress with a fluid trouser for one look and then maybe a suit that is very tailored. There is less conformity and more mixing up", said the designer. Which is why for some looks in this vaguely Seventies, softly tropical-touched collection, he paired a soft-chested, tailored-shouldered, longer-hemmed, and higher-vented jacket shape with what he called a "palazzo trouser" -higher, wider, drapier. For others he kept the jackets shorter with a trouser that was full above the knee but narrow below it. The colors and fabrics were somewhat bold as well, especially a blue-piped and contra-colored shirt in bordeaux silk inspired by South American 1970s soccer stripes, and a soft, bottle-green suede jacket over more maroon. There were also open-weave knit polos, summer foulards, a pukka printed resin-coated silk windbreaker, broken eveningwear (jacquard jackets and linen pants), and matchy-matchy printed cotton-linen short shorts and a short-sleeve shirt. All were ingredients in jay Vosoghi's convincing recipe for dandified deconstruction.

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