Happiness is to be found when in pursuit of it, in the soothed expectation, on the way, not only upon the arrival. Accepting detours, just going the way, which is anyhow not this obvious to anyone.
Thomas Bettinelli

Happiness is just a hairflip away.
Chris Crocker


"The way the system works now, you see the clothes, within an hour or so they're online, the world sees them. They don't get to a store for six months. The next week, young celebrity girls are wearing them on red carpets. They're in every magazine. The customer is bored with those clothes by the time they get to the store. They're overexposed, you're tired of them, they've lost their freshness".
Tom Ford


Weekly celeb : Josh Hutcherson

Brian Kehoe
by Lope Navo

Source : Yvy

GQ Style UK #9 (part 1)

"Advance" is the title of this editorial by Katy Offley featuring Reid Prebenda and coverboy Ollie Edwards styled by David Lamb and shot by Ben Dunbar-Brunton for the newest issue of the British GQ Style.

Citizen K #52 (part 1)
Marlon Teixeira (part 6)

"Laissons l'ambivalence " ('Let's make it simple') - Une seule certitude : dans le doute, estimez-vous. When in doubt, walk tall.
This editorial by Kappauf features Marlon Teixeira styled by Jérôme André and shot by Driu & Tiago for the latest issue of French €1 fash mag Citizen K, featuring Eva Longoria on the cover.

John Bartlett

There was a rumor going around after John Bartlett's presentation that he had trouble finding models with enough junk in their trunks to do justice to his pants. True or not, it was an easy rumor to believe. In another of Bartlett's paeans to masculinity, he said he was celebrating "men of the road". That nugget, plus the period flavor of the clothes, brought to mind the working stiffs who headed west during the Great Depression. High-waisted V-backed trousers, some with suspenders, wouldn't have been amiss on Henry Fonda's Tom Joad -if he gained 40 or 50 pounds ("The Grapes of Ass" ? No, don't even go there). And Bartlett made the models look bulkier by tucking chunky cashmere knits into waistbands. In fact, exaggeration was the key to the collection, as it has often been with Bartlett's menswear in the past. The fiercely nipped waist on one style (labeled "speakeasy" by the designer) made its broad shoulders look even broader. And slightly cropped suit trousers were tailored unyieldingly to thighs, suggesting bodies begging to burst out. Perhaps that's why Bartlett's better when the mercury rises and he can unleash the beast within. This felt too studied and effortful for comfort.