Happiness is to be found when in pursuit of it, in the soothed expectation, on the way, not only upon the arrival. Accepting detours, just going the way, which is anyhow not this obvious to anyone.
Thomas Bettinelli



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Chris Crocker

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"The way the system works now, you see the clothes, within an hour or so they're online, the world sees them. They don't get to a store for six months. The next week, young celebrity girls are wearing them on red carpets. They're in every magazine. The customer is bored with those clothes by the time they get to the store. They're overexposed, you're tired of them, they've lost their freshness".
Tom Ford
















4.30.2012

Carven

While Guillaume Henry has been breathing new life into Carven's womenswear, the men's line has been on hiatus for a long time. Prior to that, the label had been quietly treading water in menswear, making office-friendly attire for the French middle class. The designer mentioned his businessman brother had been a big Carven customer. But times change, and after the bang-up, back-from-the-dead revival Guillaume Henry has effected with the house's womenswear, the brand's owners have added a menswear relaunch to his purview, too. He's calling his SS12 outing not collection 1, but collection 0. "It's just to get a feeling for the boy", he said modestly. The perspective he brings to it is fashion-savvy rather than business-casual -in other words, a change of course from what's come before. "I'm not sure if my brother will be in the collection anymore", he admitted with a laugh. Maybe not, but buyers are already buzzing. The brother story is apt here. Womenswear designers venturing into men's often imagine designing for their female client's husband. Not Mr Henry. "I was thinking of a family picture", he said at a showroom appointment, "of the Carven girl's brother." The younger brother. Inspired by clothes worn in childhood, the collection had a schoolboyishness that Guillaume Henry further played up with his styling. He featured pleated shorts and Peter Pan collars and even decked out looks with leather pocket protectors. There were instances where the child's-play theme went too far, as with a piqué cotton polo turned into a short all-in-one; best to leave that one in the hazy days of youth. But there was ease and chic in Japanese cotton suiting and straight-leg denim, chinos and cotton shirting (with contrast collars in grosgrain and mackintosh fabric). As a first collection, this one suggested Guillaume Henry has the chops to mix design and commercial considerations in fine balance. Some might argue that his men -well, boys, really- seem a bit too well behaved. In one look, a sweater was knotted preppily around the shoulders of a rubberized leather Perfecto. The not very wild one ? But that's the Carven way, these days. Monsieur Henry, unlike many of his peers, is an unapologetic fan of good manners and good taste. That's a strength, not a weakness, and young vandals already have plenty of outfitters. Still, you can't help imagining how good Carven could be when little brother enters his rebel phase.

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