Nom de Plume by A. Naselli is a couture brand based in Denmark. It's a house where mystery, adventure, love, romance and beauty prevail everywhere. This season's collection is designed around a pseudonym with a telling, but the tale may not be to read. In a land of myths and a time of magic, the destiny of a great village rested on the shoulders of a young boy; his name : Alberto Naselli. He was born in Bergamo, Italy in anno domini 1540. One day, he decided to go to the beautiful city of Venice to see the fabulous and extraordinary annual carnival, carrying only a bundle with little food, a pair of scissors, needle and thread. This was mainly to fix his own poor clothing. Finally the day arrived that Alberto Naselli had waited for his whole life. He was so excited, staring at the fancy people with light in his eyes. But the light and brightness in his eyes was also a cover-up for his sadness, caused by the fact that he did not himself have any ducats to buy a costume. He secretly started to cut small pieces from the rich people’s attires. His own costume ended up being a beautiful yet confused mixture of colors and materials. The character of Arlechino was born. And Alberto could join the masquerade. In 1572, he had his major breakthrough and eventually introduced Paris and the rest of the world to Commedia dell' Arte and all the greatness behind it. After his death in the late 16th century, Alberto Naselli went to a land beyond belief. After this long inspiration trip, he was finally reborn on a cold November night of 1988 in Copenhagen, Denmark. He has returned to entertain and dress the mob, resurrecting to present flamboyantly theatrical creations in a spectacular way. He started his label Nom de Plume in 2007 and this is his first prêt-à-porter collection entitled "Shinobi no mono" (Japanese for "He who is hidden").
Første del af showet var modellerne klædt med rishatte, sumobryder-frisurer og japanske getas tapet fast til fødderne. Det understregede tøjet, de øst-inspirerede kimonoer i sort og hvid, ¾ lange bukser med vide ben. Jakker med plissé effekter i ryggen og dekadente corsage-buksedragter i sort og grå. En flagrende rustningsinspireret metaldragt førte os over i en verden af musketér-stil, fægtevizir og sjove flyverbriller. Høje hatte var bundet fast om hovedet med tørklæder. Stor-ærmede hvide, lette skjorter, posede knæbukser og jaket-veste. Stramme gamacher kombineret med lange tunika-skjorter. A. Naselli har fokus på det enkle og det voluminøse, vidde og komfort. Det krydres med maskulin dekadance, asiatiske islæt og historisk elegance. Designeren gjorde sin entré iklædt helt sort tøj, og med en sort tætsluttende maske under det safari-hat beklædte hoved.
Første del af showet var modellerne klædt med rishatte, sumobryder-frisurer og japanske getas tapet fast til fødderne. Det understregede tøjet, de øst-inspirerede kimonoer i sort og hvid, ¾ lange bukser med vide ben. Jakker med plissé effekter i ryggen og dekadente corsage-buksedragter i sort og grå. En flagrende rustningsinspireret metaldragt førte os over i en verden af musketér-stil, fægtevizir og sjove flyverbriller. Høje hatte var bundet fast om hovedet med tørklæder. Stor-ærmede hvide, lette skjorter, posede knæbukser og jaket-veste. Stramme gamacher kombineret med lange tunika-skjorter. A. Naselli har fokus på det enkle og det voluminøse, vidde og komfort. Det krydres med maskulin dekadance, asiatiske islæt og historisk elegance. Designeren gjorde sin entré iklædt helt sort tøj, og med en sort tætsluttende maske under det safari-hat beklædte hoved.
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