Happiness is to be found when in pursuit of it, in the soothed expectation, on the way, not only upon the arrival. Accepting detours, just going the way, which is anyhow not this obvious to anyone.
Thomas Bettinelli



Happiness is just a hairflip away.
Chris Crocker

A NEW CLIP EVERY WEEK HERE

"The way the system works now, you see the clothes, within an hour or so they're online, the world sees them. They don't get to a store for six months. The next week, young celebrity girls are wearing them on red carpets. They're in every magazine. The customer is bored with those clothes by the time they get to the store. They're overexposed, you're tired of them, they've lost their freshness".
Tom Ford
















6.11.2009

山本 耀司
Yohji Yamamoto

There's been a certain low-key grandeur to Yohji's collections of late, but he really dialed down the volume with this homespun offering. A handful of the models were his own age and when they all took the stage at show's end, it was sort of like an elegiac Clint Eastwood moment. Kinda fab, kinda sad, with clothes to match. Hence, the topstitching that gave some of the pieces such a worn-but-worthy edge, like wrinkles. The hopsack suit with its red threads suggested that Mama ran out of cotton while she was sewing it at home.
Couple the unprofessionals with the young models -and the defiantly chunky English artist Steve McQueen- and it was obvious that YY was making a statement about all shapes and sizes. But he also had another political point to make. "The world is becoming worse and worse", he said backstage. "My message is, let's be happy". It might be that happiness is a moveable feast for him, because it wasn't immediately obvious in the dark fabrics, rough textures, and signature asymmetry. But a series of jackets appliquéd with gestures and phrases that could be interpreted as the analysis of a relationship —"Shall We? " "Don't Do That," "Forget Me Not"— were drolly amusing. And the lace shirts in red and cobalt blue were upliftingly decorative -by Yohji Yamamoto's light, at least.















I'm reading: 山本 耀司
Yohji Yamamoto
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